
Dr Rory Finnin of the Slavonic Studies Section invites us to engage in a thought experiment.Ìý
'Imagine a visual artist,' says Finnin. 'Imagine a painter and engraver, butÌýwith the poetic gifts of someone like Rainer Maria Rilke, or W.H. Auden, or Walt Whitman. Imagine that this artist and poet is born a serf, a slave, the property of another human being. ImagineÌýthatÌýhe is freed from bondage in dramatic fashionÌýat the age of 24.'
Finnin continues: 'And imagine that this artist and poet, despite an intimate personal knowledge of suffering and oppression that would teach most of us never to risk rocking the boat, speaks out forcefully against the injustices of empireÌýand ridicules the head of stateÌýwith uncommon,Ìýunrelenting ferocity. Imagine that he is sentenced toÌýimprisonment and brutal exile in which he is explicitly forbidden to write, paint or draw. Imagine that this artist and poet defiesÌýthe order anyway.'
'There is much more that we could imagine, but here is the most important thing,' says Finnin. 'Imagine that the innovative natureÌýand captivating messages of this artist’s poetry inspired a civicÌýnational movementÌýat the heart of an independent state that is todayÌýthe largest within the European continent. Imagine all of these things, and you begin toÌýhave some idea of the unique significance, for Ukraine and for European civilization, of Taras ShevchenkoÌý(1814-1861).'
FinninÌýdiscusses the legacy of Taras Shevchenko in a new short film produced by the Ukrainian Institute in London under the directorship of Dr Olesya Khromeychuk. It is the first installment of a series entitledÌý‘10 Things Everyone Should Know About Ukraine',Ìýwhich is made in partnership with the Ukrainian Institute and H.S. Pshenychnyi Central State Film, Photo and Sound Archive of Ukraine.
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